VERBALIZATION OF THE CONCEPT WAR IN MODERN ART DISCOURSE

Abstract

The features of verbalization and structuring of the concept war on the material of the artistic discourse of the war participants are revealed in the article. It is found out how the conceptualization has led to its development The concept war in the artistic discourse of participants is a multidimensional mental formation, very complex, encompassing radically opposite meanings. It is clear that the sense of the concept includes components that are associated with death, agitation, pain, horror, depression, betrayal, meanness, co nfusion, indifference, deceit, revenge, anger, hatred, helplessness and more. At the same time the structure of the concept includes extremely positive meanings that can be verbalized in such words as life, freedom, love, honesty, dignity, nobility, help, heroism. For each war, it carries something personal, but always war is when the heart aches. The concept encompasses understanding of war as another, parallel worldб fi lled with heroism of a romantic adventure, that is, sometimes war appears not as reality but as desirable. Although the relevance of the concept determines the closeness / remoteness of the phenomenon of war. Separately, the article highlights such a component as «misunderstanding»: it is this that causes incredible pain to the military and is considered by people who are undecided about their belonging to our country to be the most feared enemy.